Saturday, June 13, 2026

Heart and Seoul 2026 D1: Busan, Belonging and Bulgogi

Yesterday was Day 1 of BTS’s concert in Busan, and we were proudly Team Labas. ๐Ÿ˜† Though we were far from the crowds who camped outside the venue.

A Tita ARMY friend, some newly found friends, and us, the Gagatigas, boarded a bus to Seomyeon Market. And once again, my kind of Hallyu dreams came alive. However, walking its streets reminded me of evening strolls around Malate and Remedios. In the quiet company of ARMY Daughter and Kuya, I sketched and painted a flower pot at Holly’s, browsed a pottery shop filled with ceramics and planters, and ended the day with dinner at a popular bulgogi restaurant whose name I can no longer remember.

What remains vivid, however, is the company of family and community shared in a city where Jimin and Jungkook grew up.

Our Bangtan boys were strangers once. Over time, they became family through shared dreams, personal struggles, and the courage to challenge barriers set before them. Today, they gather people from all walks of life and from different corners of the world to sing together, walk together, and simply be together.

And so, during FESTA season, I find myself in Busan, doing BTS things with family and friends. I am thankful, truly!

Gratitude is a given grace. ๐Ÿ’œ๐Ÿ™๐Ÿ’œ

#BTS_Arirang #bangtanpilgrimage2026 #FESTA2026

Friday, June 12, 2026

Heart and Seoul 2026 D1: The Road to Busan, Galbitang and Bulalohan

We lingered at Incheon International Airport, to wait for a while until daybreak. The sandwiches at Tous Les Jours looked appetizing, and pairing them with banana milk felt satisfying. Doing some quick mental math, I decided to get some snacks at the nearest CU, South Korea’s popular convenience store. Our welcome meal consisted of tuna mayo and bulgogi kimbap, banana milk, yogurt, and onigiri. It was filling enough to tide us over until breakfast at 8 AM.

And there we were in a Korean barbecue restaurant in downtown Incheon a few hours later, being embraced by the aroma of galbitang—clean, clear, a little tangy, and, strangely enough, a comfort food that reminded us of home. This dish of boiled beef, complete with tendons, bone marrow, scallions, and enoki mushrooms, is South Korea’s equivalent of our bulalo. The only difference I can think of is the rich and savory flavor with which we season our bone soup. Ah, and we put in a lot of vegetables too: potatoes, cabbage, pechay, sometimes corn and saba, even string beans. My Mama would put in all the vegetables I mentioned, especially when she was feeling generous on salary day. I couldn’t help but feel nostalgic and appreciative of this cross-cultural connection as I sat beside my grown-up children.

ARMY Daughter smacked her lips while Kuya raked in the side dishes that justified the bland but bracing clear soup of beef bone and tendons. I was sniffing halfway through mine when ARMY Daughter asked:

“Are you crying?”

“It’s the hot soup,” I replied. “It clears the nostrils.”

Our Tita ARMY friend, who seemed to have been reading my mind all along, spoke up.

“This dish is like our bulalo,” she said. “Did you see that one of the staff looked Pinoy?”

“What if he’s the cook who has learned to cook Korean dishes?” I wondered.

Tita ARMY quipped, “Taga-Tagaytay!”

I laughed and added, “Baka Batangueรฑo?!”

It was then that ARMY Daughter asked, amused and curious, “Bakit Tagaytay?”

“Maraming bulalohan sa Tagaytay at bakahan, pati na rin sa Batangas,” I said.

Tita ARMY affirmed, “Punta ka sa Tagaytay!”

And I agreed right then and there. Galbitang, this humble and bracing dish, welcomed us weary travelers to Korean soil, only for us to talk about and remember bulalo, a dish that reminds us of hearth and home. If ever we can’t make a day trip to Tagaytay and dine in one of the bulalohan restaurants there, I will cook the dish the way my Mama cooks it, with all the vegetables I loved to eat then and now.

This is the inheritance I hope to share with my children: not merely a recipe or a food trip, but the memory of home carried from one table to another.

#BTS_Arirang #bangtanpilgrimage2026 #Festa2026 #foodtrip #southkoreatravel

Wednesday, June 10, 2026

The Lighthouse Diary Entry #88: Persistence and Designing a Flap Book

This year, I had the opportunity to supervise two Grade 10 students and journey with them in the accomplishment of their Personal Project. A few weeks ago, they presented their work, and for the first time, I saw the product of their blood, sweat, and tears. Also, the joy on their faces and the bright spark of confidence in their eyes were unmistakable.

Who would have thought they were both going through uncertainty and stress last November? The struggle to finish a 15-page report last March weighed them down, too. I kept telling them to trust the process and persevere.

Mistakes happened, of course. Some plans went awry. But my supervisees pushed on. Showing up every time was an entirely new experience. More than the mark, there is character to strengthen and nurture. This is how we learn.

I’m sharing this photo of a flap book, which my student fought for as a Personal Project. Because, in our first meeting, I told her that form follows function, further explaining that flap books as a form serve a purpose in relaying a message and facilitating communication. I recommended books on design right after.

And she persisted. Her flap book on matcha, its origins, and the process of making tea was well made! Yes, she got good marks, too!

Ah! The things I learn from my students are among the best rewards I get as a teacher.


Friday, June 5, 2026

CDrama Review: The Romance of Wuxia in Pursuit of Jade (PoJ)

When I began watching Pursuit of Jade, something in the fighting scenes felt immediately familiar.

Growing up, I watched martial arts films of Jackie Chan and Sammo Hung. Drunken Master and Zu Warriors from the Magic Mountain are childhood favorites. Later, I became a fan of Jet Li, Donnie Yen, Tony Leung and Chow Yun Fat, which eventually led me to adore Crouching Tiger, Hidden Dragon and my Michelle Yeoh fangirling era. Wuxia became my favorite genre.

PoJ is not wuxia.

It is a historical romance drama rooted in household, kinship, trade, politics and community life. And yet, for me, it frequently speaks in the visual and emotional language of the wuxia I know from childhood.

The term wuxia itself combines two ideas:

wu — martial or military

xia — chivalry, righteousness, the moral hero

This distinction matters because wuxia has never only been about fighting.

It asks: What does a person fight for? Justice? Loyalty? Protection? Duty?



This is where PoJ becomes increasingly interesting to me. The drama repeatedly uses martial movement not simply as a showcase but as relationship. When Changyu and Yan Zheng spar, they are not merely exchanging blows.

They are learning rhythm. Testing boundaries. Negotiating power. Building trust. Establishing balance.

Their bodies speak before the reconciliation happened in Episode 33. This is why the sparring scenes linger.

The choreography emphasizes reciprocity rather than domination.

Adjustment rather than conquest. Movement becomes dialogue. At the same time, PoJ does something different from many wuxia narratives.

Traditional wuxia often centers jianghu: wandering heroes, martial worlds and lives lived outside formal structures. PoJ repeatedly returns us to the kitchen, festivals, village life and stories of ordinary people.

Changyu’s butcher knives become weapons. The kitchen becomes survival. Household labor becomes martial labor. Care work becomes heroism.

Perhaps this is why the fighting scenes feel so emotionally resonant to me. PoJ borrows the language of wuxia but brings it back home. This is what makes it memorable not just the martial arts choreography but the martial movement that shows care, community and repair.

If you have a deeper more expansive knowledge of wuxia, feel free to share and engage. We learn something everyday.

 

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